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11/01/05

Ordering Narnia

Filed under: LiteratureKyle Email @ 06:29:39 pm

I recently learned that new box sets of The Chronicles of Narnia organize and number the books in chronological order, as opposed to the traditional sequence by publication date. This move made no sense to me. I imagined some oblivious publishing executives sitting in an office building somewhere, making the decision without any regard for the craft of storytelling or fantasy traditions.

Then I heard that the chronological order was supposed C.S. Lewis' intent. According to Wikipedia, he wrote:

"I think I agree with your order (i.e. chronological) for reading the books more than with your mother's. The series was not planned beforehand as she thinks. When I wrote The Lion I did not know I was going to write any more. Then I wrote P. Caspian as a sequel and still didn't think there would be any more, and when I had done The Voyage I felt quite sure it would be the last. But I found as I was wrong. So perhaps it does not matter very much in which order anyone read them. I'm not even sure that all the others were written in the same order in which they were published."

Lewis' words suggest that, considering that he hadn't planned on a lengthy series from the beginning, he really had no original intent for the order of the books. Nevertheless, the quote does show at least a preference for the chronological order. With great respect for the author, I must disagree.

As the first book in the series, The Lion, the With, and the Wardrobe effectively introduces the reader to the world of Narnia through the eyes of Lucy. We do not know much about the world at first, but we learn about it as Lucy does. This is how great fantasy works: it transports the reader into an already established world, and provides the reader with whatever information she needs as the story goes. In most cases, the fantasy world is revealed through the eyes of another character who is also experiencing it for the first time. We see all the foreign lands of Middle Earth through Bilbo's (or Frodo's) eyes. We get to discover the secret world of magic along with Harry Potter. We get to learn about the Force along with Luke Skywalker.

This immersion into and gradually revealing of a fantasy world adds an element of mystery and suspense to the exposition of a story. The mystery is lost if we know everything about the world before the story even begins. In the case of the chronological Chronicles of Narnia, we know what Narnia is and, more importantly, who Aslan is, before Lucy ever finds out. All the surprises are ruined.

Whether we're talking about sequels or prequels, subsequent stories in a series are written with the assumption that the reader is familiar with the world and characters of the story. Let's look at Star Wars. George Lucas made the original trilogy (Episodes IV-VI) without any real intent to film the prequels (Episodes I-III). As I mentioned above, the original Star Wars movie is the introduction to the world. The prequels, which were released later, depend on the viewer already being familiar with this world. The appearances of R2D2 and C-3PO are meaningless if the audience is not familiar with these characters, to say nothing of the boy who would become Darth Vader. Conversely, surprises from the original movies cease to be surprises if one watches the prequels first. Darth Vader's revelation that he is Luke's father in The Empire Strikes Back is no longer earth-shattering if a first-time viewer has already seen the end of Episode III.

Whether or not Lewis was aware of it, he wrote his books with some assumptions concerning what his audience knew of the world of Narnia. It's best for a new reader to discover that world as children traditionally have: with The Lion, the Witch, and the Wardrobe first. At least the movies have got it right.

2 comments

Comment from: dan [Member]
danWhen we bought the boxed set 4-5 years ago, they were in chronological order. But we did some research and read them in the order they were published. I think it was the best way to go. But keep in mind that The Magician's Nephew, the first book chronologically, also gradually introduces the reader to the world of Narnia through the eyes of a child. There's plenty of mystery and suspense. Lion is still the best intro and Nephew is better as a back story.

I agree with most of what you're saying. Another example. When I was going to read some Tolkien for the first time I was about 15. I asked someone which book comes first and they told me it was The Silmarillion. But don't start there, they said. Start with the Hobbit. But I was 15 and I knew everything, so I started with the first book chronologically. I plowed my way through, but needless to say, I wasn't interested in any more Tolkien for a great while. Someone at Truman introduced me to Tolkien properly and I read The Hobbit and the trilogy with great relish. Later I came back to the prequel and enjoyed it more for what it is, a history and a back story.

Somewhere along the line we became interested in telling and hearing stories in the order that they happened. But the best stories have always been told out of order. I'm reading Odyssey now and it's all out of order. Tolkien was the same way, as is Harry Potter.

Would history books be more effective if they took this same route? You could introduce the reader to the current world and make each history lesson a tangent that gives a bit more of the back story.
11/02/05 @ 08:48
Comment from: Kyle [Member] Email
Kyle(I'm not sure if I should respond here or at Danny's post on his own blog, so I just did both.)

I read an essay a while back (I can't remember where) that brought up this issue with all the superhero movies that came out. The person basically said that the movies are weakened by the desire to establish the complete origin story before finally getting into what is actually the main story of the film. I'm sure the author cited Hulk and Spiderman as bad examples.

X-Men is a positive example of what I was talking about: the device of introducing the fictional world through the eyes of a character who is experiencing it for the first time. The first X-Men movie begins with Wolverine and Rogue coming upon the school for mutants already in existence. Tim Burton's Batman also begins with the character already firmly established in his world (of course, Batman Begins offers an excellent origin story that may be the exception to the rule).

I think you're right, Danny. There is a strong urge in our culture to start at the beginning. Writers need to be more willing to throw their readers into a pre-existing mythology, then reveal the backstory as is needed.

Your idea about learning history is interesting. I had a conversation with some of my students last year in which they complained about learning history. They asked me, "Why do we need to know what happened in the Cold War?" I explained to them how much today's world events are consequences of the Cold War. They were very surprised to learn that Osama Bin Laden was trained by the CIA to fight Russia. I think your idea of showing how our present world is a product of historical events is a great one (maybe I should become a history teacher and try it).
11/02/05 @ 17:02

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